Sep 22, 2014 / 2,438 notes
let-them-eat-vag:

ashoutintothevoid:

Emma Sulkowicz is on the cover of this month’s New York Magazine and that is the coolest thing wow

DUUUUDE this is a huge fucking deal honestly
Sep 22, 2014 / 157,891 notes

let-them-eat-vag:

ashoutintothevoid:

Emma Sulkowicz is on the cover of this month’s New York Magazine and that is the coolest thing wow

DUUUUDE this is a huge fucking deal honestly

(via nyctaeus)

Sep 21, 2014 / 893 notes
Sep 21, 2014 / 1,427 notes
aurelle:

“I like trains. I like their rhythm, and I like the freedom of being suspended between two places, all anxieties of purpose taken care of: for this moment I know where I am going.” - Anna Funder
Sep 20, 2014 / 17,897 notes

aurelle:

“I like trains. I like their rhythm, and I like the freedom of being suspended between two places, all anxieties of purpose taken care of: for this moment I know where I am going.” - Anna Funder

(via euo)

Sep 19, 2014 / 210 notes

Anonymous said: Do you have collar bones?

tiit:

no, I don’t have any bones. doctors say it’s amazing that I’ve made it this far

Sep 19, 2014 / 24,384 notes

(via tiit)

Sep 19, 2014 / 2,705 notes

(via tiit)

Sep 18, 2014 / 24,258 notes
sloppy:

Struggling camels silhouetted against the oil-fire, al-Ahmadi oil field, Kuwait, 1991

‘The darkness caused by the burning oil wells was like a moonless night. The exposure on my camera was about a quarter of a second on f2.8.’ The photographs show a scorched, infernal place, ‘but they don’t convey the fine mist of oil that hung in the air and coated my cameras, or the deafening roar of the burning wells. Nor do they show the unexploded bombs and mines that dotted the desert. I’ll never forget the moment I got out of the car to stretch my legs and caught a glimpse of an allied lawn-dart mine behind the vehicle with our tire tracks running right over it!’
- Steve McCurry 
Sep 18, 2014 / 4,203 notes

sloppy:

Struggling camels silhouetted against the oil-fire, al-Ahmadi oil field, Kuwait, 1991

‘The darkness caused by the burning oil wells was like a moonless night. The exposure on my camera was about a quarter of a second on f2.8.’ The photographs show a scorched, infernal place, ‘but they don’t convey the fine mist of oil that hung in the air and coated my cameras, or the deafening roar of the burning wells. Nor do they show the unexploded bombs and mines that dotted the desert. I’ll never forget the moment I got out of the car to stretch my legs and caught a glimpse of an allied lawn-dart mine behind the vehicle with our tire tracks running right over it!’

Steve McCurry 

(via headshotpowerslave)

youmightfindyourself:

natgeofound:
Tuareg goatherds drink tea in their desert shelter at Hassi Izernene, August 1973.Photograph by Thomas J. Abercrombie, National Geographic
Sep 17, 2014 / 1,280 notes

youmightfindyourself:

natgeofound:

Tuareg goatherds drink tea in their desert shelter at Hassi Izernene, August 1973.
Photograph by Thomas J. Abercrombie, National Geographic

(via nuuro)

blogrando:

George Condo - Don Carlos, 1996
Sep 17, 2014 / 195 notes

blogrando:

George Condo - Don Carlos, 1996

(via nuuro)

Sep 17, 2014 / 25 notes
Sep 16, 2014 / 207 notes
Sep 16, 2014 / 11,106 notes

aquaticwonder:

My pictures must first be beautiful, but that beauty is not enough. I strive to convey an underlying edge of anxiety, of isolation, of fear. ” — Crewdson

(via nyctaeus)